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Chronicle Book Review: Reefer Movie Madness

Reefer Movie Madness: The Ultimate Stoner Film Guide, by Steven Bloom and Shirley Halperin (2010, Abrams Image Press, 336 pp., $18.95 PB)

http://www.stopthedrugwar.org/files/reefer-movie-madness.jpg
Even the wonkiest of drug policy reformers can't spend all their time reading policy proposals, research results, and desert-dry academic treatises, but Reefer Movie Madness is much more than a mere guilty pleasure. Penned by former High Times editor and Celebstoner.com proprietor Steve Bloom and former High Times intern turned entertainment writer Shirley Halperin, Reefer Movie Madness is not only a most excellent guide to stoner filmdom, it also maps the cultural acceptance of marijuana in America through film history.

A follow-up to the pair's well-done, comprehensive compendium of all things cannabinical, Pot Culture, Reefer Movie Madness profiles more than 700 films that are about marijuana, feature marijuana in key scenes, feature other drugs, or just plain a gas to watch stoned. The films are ranked via a five-star rating system, and the authors demonstrate exquisite taste and filmic knowledge in their rankings (meaning that their tastes agreed with mine).

They begin at the beginning, going back even before 1936's anti-pot propaganda classic Reefer Madness to note such obscure films as 1924's High on the Range, in which Cowboy Dave smokes a reefer, and 1933's International House, in which jazz legend Cab Calloway performs "Reefer Man."

But in the late 1930s, as Harry Anslinger crusaded against the demon weed, so did Hollywood. In addition to Reefer Madness, the movie industry cranked out propaganda like Marijuana: The Weed with Roots in Hell (1936), Assassin of Youth (1937), and just a handful of years later, Devil's Harvest (1942). While such films helped shape American attitudes at the time, and for decades to come, they are now the stuff of nonstop laugh fests.

While marijuana and other drug use was portrayed intermittently, and occasionally, even with some sympathy for drug users, it wasn't until the cultural revolution of the 1960s, bringing us classic stoner films like Wild in the Streets (1968) and Easy Rider (1969), that pot-smoking began to be widely portrayed as anything but deviant. And it wasn't until the late 1970s that Cheech and Chong's Up in Smoke gave birth to the now ubiquitous stoner comedy genre (although Bloom and Halperin give the classic Animal House, with its single hilarious pot-smoking scene partial credit for establishing the genre, too).

By now, stoner movies and depictions of pot-smoking are everywhere, most notably, but not only, in the stoner comedy genre. Films like Half-Baked, How High, Friday, and Strange Wilderness are now being produced by mainstream production companies, and the Judd Apatow franchise alone has been responsible for numerous box office hit stoner flicks, including The 40-Year-Old Virgin, the underrated Walk Hard: The Dewey Cox Story, Knocked Up, Forgetting Sarah Marshall, Superbad, and Pineapple Express. This year's Get Him to Greek, featuring the inimitable and charismatic Russell Brand and Apatow regular Jonah Hill, was released too late for inclusion, but will certainly make the next edition.

The book is divided into sections by genre: comedy, drama, sci-fi/fantasy/horror, action, sports, music, documentaries and offers spot-on capsule reviews of more than 700 films, complete with plot summaries, star rankings, and choice quotes. Reefer Movie Madness also includes themed lists (Best Buds: Ten stony duos that take friendship to a higher level; Stoner Inventions and Innovations), celebrity Q&As, and lists of favorite stoner movies from well-known actors, directors, and musicians, including Cheech & Chong, the Trailer Park Boys, Snoop Dog, and Melissa Etheridge, among many more.

Reefer Movie Madness is a bookshelf must for pot movie fans, whether they be culture mavens or fully-baked couch potatoes. Even for veteran stoner film watchers, it contains some delicious movies you've never seen before and helps you remember long-forgotten gems. It has already vastly increased the length of my Netflix queue, and once you pick it up, the same thing is going to happen to you.

But beyond that, Reefer Movie Madness is a valuable and important contribution to charting and understanding the pop cultural role of marijuana in the past few decades. And it's a gas to read, stoned or not.

Freedom Fighter of the Month

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I’ve been named Freedom Fighter of the Month in the November issue of High Times. I think this happened either because of that incident where we crashed the White House contact page, or because they ran out of other people to give it to. In any case, I think it’s pretty cool. I remember years ago I was just out of college, doing unpaid internships, living with my parents, reading High Times at the office and hoping I would one day be worthy of this particular honor. Well, thanks guys, and yes my offer still stands, I suppose.

Washington State Marijuana Bill Should Reflect Shift in Culture (Editorial)

Location: 
WA
United States
The Spokesman-Review opines that because Congress refuses to update the absurd Controlled Substances Act, states are trying to figure out the best ways to implement the sane and popular wish that marijuana be made available for medicinal purposes. The newspaper says Washington's bill should put patients first by not erecting barriers that make it more difficult to legally obtain medical marijuana, and that the House should strip the bill of these excessive limitations. It says the bill represents a cultural shift in attitudes toward marijuana, and that regulation and enforcement ought to reflect that reality.
Publication/Source: 
The Spokesman-Review (WA)
URL: 
http://www.spokesman.com/stories/2011/mar/17/editorial-marijuana-bill-should-reflect-shift-in/

Publishers High on Marijuana Books

Former actresses are doing it. New York Times journalists are doing it. Screenwriters are doing it. Writing about marijuana, that is. With the changing legal times, and the jaw-dropping reality that pot has become a $35 billion legal industry in the U.S., the subject is drawing a motley crew of authors exploring everything from agriculture and big business to socioeconomic norms and the joys of toking. Agents say the surge in books about pot speaks to the fact that the subject matter is that rarest of things: serious and fun.
Publication/Source: 
Publishers Weekly (NY)
URL: 
http://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/46455-publishers-high-on-marijuana-books.html

LPGA Cancels Tournament in Mexico Over Drug Prohibition Violence Fears

Location: 
Morelia, MIC
Mexico
The LPGA has canceled the $1.3 million Tres Marias Championship in Mexico due to concerns over drug prohibition violence.
Publication/Source: 
Fox News (US)
URL: 
http://www.foxnews.com/sports/2011/02/02/lpga-cancels-tournament-mexico-drug-violence-fears/

Medical Marijuana Ads Help Sagging Media Profits

Location: 
CA
United States
Medical marijuana advertising is taking off, propping up the fortunes of ailing media companies that have seen income from other business sectors plummet in the recession. Advertisements offering free edibles for new patients and products such as "super silver haze" are helping to keep the San Francisco Bay Guardian, SF Weekly and East Bay Express in business. Similar ads have even started cropping up — tentatively — in more staid publications, such as the San Francisco Chronicle.
Publication/Source: 
The Bay Citizen (CA)
URL: 
http://www.baycitizen.org/marijuana/story/medical-marijuana-ads-help-sagging-media/

"I'm Dangerous with Love" Opening

 

Can a psychedelic plant release your demons?

I'M DANGEROUS WITH LOVE
An underground adventure into shamanic ritual

Opens at New York’s IFC Film Center on Wednesday January 12, 2011

"Bursts on the screen like a circus fire. A movie you'll never forget." 
- D A Pennebaker & Chris Hegedus

I'M DANGEROUS WITH LOVE is about addiction and rehabilitation, activism and shamanism. It features Dimitri Mugianis, once the heavily addicted front man for the band Leisure Class, who finally ended his long drug and alcohol addiction with an experimental treatment that uses the hallucinogen Ibogaine, and now devotes his life to helping others overcome addiction through the treatment.

African shamans have used Ibogaine in their rituals for centuries, but in the US it is classified as a Schedule 1 controlled substance and illegal, so Dimitri must  work in underground networks to guide addicts through the same detox that he says saved his life.

I'M DANGEROUS WITH LOVE traces Dimitri's risky journey as he treats desperate drug users. It follows this man of edgy energy as he goes from one addict to the next without stopping to catch his breath. It also follows him on his own search for recovery when one session goes bad in a remote snowed-in Canadian home, and a quiet young man almost dies. Dimitri must decide whether or not to continue his mission. Is he serving the addicts or simply releasing his own demons? To find answers, Dimitri travels to Gabon, West Africa, to consult with Bwiti shamans, and puts himself through a punishing Iboga initiation. Filmmaker Michel Negroponte follows him on this journey to find his own answers.

"A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed." Charles Shaw, AlterNet

“A powerhouse: brutally honest, hilarious, incisive, heroic. It capture’s a character who lives against the odds. Negroponte doesn’t just go the extra mile to capture story and character – he goes an extra light year and takes the audience with him. Its one of those docs that’s going to walk all over the festival circuit like it fucking owns the place.” -Sheffield Doc/Fest

"Laced with decidedly dark humor, I'm Dangerous with Love is both a compelling character study and an exciting excursion into an underground subculture." John Berra, Electric Sheep

"Negroponte turns a compassionate eye on the world of drug addiction, and one man's personal passionate crusade to rescue the addicted, one addict at a time.  An absorbing and at times exhilarating film that boomerangs from the underbelly of Manhattan to the jungles of Gabon and back again."  Ross McElwee

I'M DANGEROUS WITH LOVE
2009 85 minutes, USA, digital video, English, Color 
Directed by Michel Negroponte • Written by Nick Pappas and Joni Wehrli • Animation by Lisa Crafts • Music and Sound Design by Brooks Williams and Beo Morales • Photographed and Edited by Michel Negroponte • Executive Producers Julie Goldman, Krysanne Katsoolis, Caroline Stevens • Produced by Blackbridge Productions in association with Cactus Three

 

michelnegroponte.com/imdangerouswithlove.html

 

Date: 
Wed, 01/12/2011 - 11:15am - 9:30pm
Location: 
323 Avenue of the Americas IFC Film Center
New York, NY 10014
United States

Drug Wars and Drug Laws: Addiction Treatment Through the Lens of Politics, Race and Culture

Featured speakers:

Cheryl Grills, PhD, Loyola Marymount University, President of the Association of Black Psychologists

Ethan Nadelmann, JD, MA, PhD, Executive Director and Founder of Drug Policy Alliance

Race, class and culture are integral aspects of any clinical treatment; they particularly impact the treatment of addictive disorders.  Just recently we have seen the repeal of the Rockefeller Drug Laws, the implementation of Mental Health Parity and National Health Reform.  The country is in economic crisis, and we are in the midst of political sea change.

We will examine how these issues impact drug users and problematic drug use, and how they enter into the clinical situation, especially as expressed in transference and counter-transference experience. The conference is designed to help clinicians better address issues of race, culture and politics in their work with substance users.

For more information, and to register, please visit http://www.nyspa.org/index.php?option=com_jcalpro&Itemid=257&extmode=vie....

Date: 
Fri, 01/14/2011 - 8:30am - 5:30pm
Location: 
60 Washington Square South New York University's Kimmel Center
New York, NY 10012
United States

London Exhibit Examines Centuries of Drug History

Location: 
London
United Kingdom
"High Society," an exhibition opening today at London's Wellcome Collection museum, examines the history of opium, from pre-biblical practices to today's entire prohibitionist drug market, which is worth an estimated $320 billion per year, according to the United Nations. One of the aims of the exhibit is to de-stigmatize today's illegal drugs and show there is more to the subject than visitors may have thought. After all, substances that many people ingest freely today — alcohol, caffeine and tobacco — have all been criminalized in years past or are still illegal in some parts of the world.
Publication/Source: 
The Associated Press
URL: 
http://www.google.com/hostednews/ap/article/ALeqM5jfXcLdS_xPoaVh7fmqNKruA2kSuA?docId=e02d7dccba51495d8f6a01c6c6b18587

How Bogus Drug Scares Get Started

Bogus drug scares are a mainstay of mainstream media reporting and reactionary parenting. Gawker put together this roundup of the latest in ludicrous drug trends. Look back at how bogus substances have stirred panic for more than a century now.
Publication/Source: 
Gawker (NY)
URL: 
http://gawker.com/5609915/how-bogus-drug-scares-get-started?skyline=true&s=i

Drug War Issues

Criminal JusticeAsset Forfeiture, Collateral Sanctions (College Aid, Drug Taxes, Housing, Welfare), Court Rulings, Drug Courts, Due Process, Felony Disenfranchisement, Incarceration, Policing (2011 Drug War Killings, 2012 Drug War Killings, Arrests, Eradication, Informants, Interdiction, Lowest Priority Policies, Police Corruption, Police Raids, Profiling, Search and Seizure, SWAT/Paramilitarization, Task Forces, Undercover Work), Probation or Parole, Prosecution, Reentry/Rehabilitation, Sentencing (Alternatives to Incarceration, Clemency and Pardon, Crack/Powder Cocaine Disparity, Death Penalty, Decriminalization, Drug Free Zones, Mandatory Minimums, Rockefeller Drug Laws, Sentencing Guidelines)CultureArt, Celebrities, Counter-Culture, Music, Poetry/Literature, Television, TheaterDrug UseParaphernalia, ViolenceIntersecting IssuesCollateral Sanctions (College Aid, Drug Taxes, Housing, Welfare), Violence, Border, Budgets/Taxes/Economics, Business, Civil Rights, Driving, Economics, Education (College Aid), Environment, Families, Free Speech, Gun Policy, Human Rights, Immigration, Militarization, Money Laundering, Pregnancy, Privacy (Search and Seizure, Drug Testing), Race, Religion, Sports, Women's IssuesMarijuana PolicyGateway Theory, Hemp, Marijuana -- Personal Use, Marijuana Industry, Medical MarijuanaMedicineMedical Marijuana, Science of Drugs, Under-treatment of PainPublic HealthAddiction, Addiction Treatment (Science of Drugs), Drug Education, Drug Prevention, Drug-Related AIDS/HIV or Hepatitis C, Harm Reduction (Methadone & Other Opiate Maintenance, Needle Exchange, Overdose Prevention, Safe Injection Sites)Source and Transit CountriesAndean Drug War, Coca, Hashish, Mexican Drug War, Opium ProductionSpecific DrugsAlcohol, Ayahuasca, Cocaine (Crack Cocaine), Ecstasy, Heroin, Ibogaine, ketamine, Khat, Marijuana (Gateway Theory, Marijuana -- Personal Use, Medical Marijuana, Hashish), Methamphetamine, Nicotine, Prescription Opiates (Fentanyl, Oxycontin), Psychedelics (LSD, Mescaline, Peyote, Salvia Divinorum), Synthetic Drugs (Mephedrone, Synthetic Cannabinoids)YouthGrade School, Post-Secondary School, Raves, Secondary School